BEHRINGER EUROLIGHT LC2412 инструкция по эксплуатации онлайн - страница 9


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9

EUROLIGHT LC2412 User Manual

(42) 

B

 fader. This fader is the master control for the B MEMORY section; 

it determines the maximum illumination level of all memories. Just like in 

the case of the A fader, the FLASH keys can be utilized even when the fader is 

at its zero position.
When the MAIN fader is raised up, both of these faders (A and B) can be used 

to fade in and out between the settings of both of these sections.

(43) 

MAIN

 fader. It determines the maximum illumination level of all commands 

at the console’s output. 

(44) 

PRESET FLASH

 key. You can execute the entire A PRESET section with this 

flash key, that is, activate the A PRESET section on the stage, even if the the 

A fader  

(41)

  is fully down. As soon as you let go of the key, the lights fade 

again. More information about this subject is found in chapter 4.3.

(45) 

MEMORY FLASH

 key. Has the same function for the B memory section.

Also, two additional keys in this section affect the entire console output: 

(46) 

HOLD

 key. Freezes the current settings, while you select a new preset, 

recall a different memory or implement an entirely different configuration. 

This procedure is described in chapter 7.2.

(47) 

BLACKOUT

 switch. Completely dimms all lighting elements. This function 

affects the entire console output, that is, it also affects the chases. 

The dimming is done abruptly. If you want the dimming to take place softly, 

use the MAIN fader. Console settings can be altered while the console output 

is deactivated. To illuminate the stage again, hit the BLACKOUT key again. 

The control LED dies out.

2.7  Control elements of the chase section  

( 7 )

(50)

(48)

(49)

(51) (52)

(53) (54) (55)

Fig. 2.8: The chase section

(48) 

NUMBER

 key. Selects a chase, enabling you to show individual chases on 

the control LEDs (automatic preview). The control LED of the NUMBER key 

lights up, as long as chases are active in any form. This means, the LED lights 

up even when the chase is not active, but just “dialed in”, ready for action. 

When you select a chase whose steps have still not been programmed, 

the LED dies out after letting go of the key. The LED also dies out when the 

CHASE fader  

(50)

  is pulled down.

(49) 

INSERT

 key. Activating this key while a chase is running lets you alternate 

between the current step and the one preceeding it by pressing the STEP 

key  

(53)

. This function can also be executed utilizig the X-FADE control 

(MANUAL MODE key  

(54)

  activated). Additional information on this subject 

can be found in chapter 6.2.6.

(50) 

CHASE

 fader. Controls the illumination level of a complete chase setup. 

Separate ratios of a memory incorporating this chase remain intact.

(51) 

X-FADE

 control. Used to manually dissolve between individual chase steps. 

Can also be used to dissolve between memories. Additionally, fade-in speed of 

chase steps can be configured, provided this speed was not already determined 

in theatre mode (only when theatre mode is active). More detailed information 

on this subject can be found in chapters 6.2.3 and 7.4.

(52) 

SPEED

 fader. Controls chase speed.

(53) 

STEP

 key. Manually triggers chase steps. This can also be done while chases 

are already active. This function can also be remotely controlled by using 

a footswitch.

(54) 

MANUAL MODE

 key. Assigned to the X-FADE control. When the MANUAL MODE 

key is activated, turning the X-FADE control back and forth either fades back 

and forth between two chase steps (INSERT key activated) or fade chase steps 

in after one another (INSERT key deactivated). A more detailed overview of the 

various possibilities of fading in/out can be found in chapter 6.2.4.

(55) 

SOUND/RUN MODE

 key. Selectively activates chase control by means of bass 

rythm (SOUND) or by means of the internal speed control (RUN).

2.8  Rear panel connectors of the LC2412

(56)

(57)

Fig. 2.9: Digital and analog outputs

(56) 

DMX512 OUT

 connector. The digital output of the LC2412 is provided by 

means of a 5-pole XLR connector. You can connect a dimmer pack. It can 

be used to process digital control commands according to the DMX512 

control protocol.

(57) 

ANALOG OUT

 connector. The analog output is meant for controlling 

via the analog standard (0 to +10 V DC) and is implemented as a Sub D 

connector. Used to connect dimmer pack that don’t use the modern DMX512 

control protocol.

(58)

(59)

(60) (61)

Fig. 2.10: Additional back-panel connectors

(58) 

MIDI OUT

 connector. MIDI data can be forwarded from the MIDI OUT 

connector to a second LC2412 or another MIDI sequencer/PC by using a 

corresponding cable (connect it to the MIDI IN connector on the receiving 

unit). This lets you control two consoles in parallel, that is, a total of 156 DMX 

channels are at your disposal.

(59) 

MIDI IN

 connector. Used to feed in MIDI data (e.g. from a MIDI sequencer or 

another LC2412) to control the LC2412.

(60) 

ANALOG IN

 connector. Connect an output of your mixing console, your CD 

player or another analog signal source to this 1/4" TS mono jack connector. 

This lets you use the sound-to-light function and musical control of chases.

(61) 

FOOTSWITCH

 connector. Connect a footswitch here to remotely control 

the STEP key. Additional information about this subject can be found in 

chapter 6.2.4.


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